Adventist's art a tribute to character of living golf legend Palmer

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Adventist's art a tribute to character of living golf legend Palmer

Far Hills, New Jersey, United States | Ansel Oliver/ANN

Chase used 22,719 words creating portrait; now museum centerpiece

Golf icon Arnold Palmer entered the revamped United States Golf Association museum yesterday and stood in front of a unique portrait of himself, with the picture’s creator standing by. Both he and Seventh-day Adventist artist James David Chase came close to tears during their emotional reunion.


In 2003, Chase first had the chance to show Palmer a copy of his work, which took 14 years to complete. What looks like a line drawing is actually a 30- by 40-inch portrait made entirely of quotes from or about Palmer.


“‘That is the most amazing thing I have seen in my entire life,’” Chase remembered Palmer saying of the 22,719-word portrait.

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Arnold Palmer, right, greets James Chase yesterday before the christening of the expanded United States Golf Association museum, now named in the golf icon's honor.


“I memorized those words at that time,” Chase said yesterday, just before Palmer came to see the original piece. It’s actually Palmer’s copy, Chase clarified, which is now on permanent loan to the USGA’s Arnold Palmer Center for Golf History in Far Hills, New Jersey.


Palmer, whose 92 golf victories during his career include four U.S. Masters, two British Opens and the 1954 U.S. Amateur Championship, again expressed his gratitude prior to yesterday’s christening of the expanded museum, now named in his honor.


“You’ve gotta be proud of this, to have your work rewarded,” Palmer said to Chase of the portrait, now the centerpiece of the Palmer Room. “Thanks, Jim.”


The portrait’s title, “Gratitude,” expresses appreciation for a life of good character, said Chase, 61, who holds a doctorate in theology from Adventist Church-owned Andrews University in Berrien Springs, Michigan and is a professor of communication at Adventist-owned Pacific Union College in Northern California’s Napa Valley.


Chase began the portrait in June of 1989, working 2 to 6 hours at a time in his home studio. He would wake up at 4 a.m. to walk around the college’s track, burning off excess energy and getting his pulse to an ideal rate in order to write the one-tenth of an inch tall letters in between heartbeats.

Chase's 30- by 40-inch portrait of Palmer is now the centerpiece of the Palmer Room of the USGA's Arnold Palmer Center for Golf History. The portrait, a 14-year work of admiration for Palmer's character, is made entirely of quotes from and about him. A touch-screen allows visitors to explore the portrait.
Chase's 30- by 40-inch portrait of Palmer is now the centerpiece of the Palmer Room of the USGA's Arnold Palmer Center for Golf History. The portrait, a 14-year work of admiration for Palmer's character, is made entirely of quotes from and about him. A touch-screen allows visitors to explore the portrait.


Quotes by Palmer make up the portrait subject’s lips. His ear is comprised of things Palmer heard. His gray hairs are things that gave him gray hair. “Basically having to do with errant shots,” Chase said.


“Everybody’s so excited about this,” USGA museum director Rand Jerris told Palmer during his personal tour of the new facility. Jerris even brought up on the touch-screen display a close-up section of the portrait’s shoulder to show his favorite quote: “‘Arnold, pull up your pants and tuck your shirt in,’—Dorris Palmer (mother).”


Jerris, who holds a doctorate in art and archaeology from Princeton University, told Adventist News Network the value of the portrait would be “impossible” to determine.


“From what we can tell, there has been nothing in the history of art or sports that is quite like this,” Jerris said. “It’s a real tribute to Arnold’s immense popularity, as well as a tribute to his character and humanity.”


Chase was first rewarded for his artistry as a kid when he won a bike for a coloring contest sponsored by Cheerios breakfast cereal, he told Golf Digest magazine. This month’s issue describes his admiration for Palmer, who became a leading sports figure on television in the 1950s and 60s.


Chase’s idea of doing a portrait of Palmer came to him in the middle of the night, he said. For months he studied several pictures of Palmer, examining facial muscles and shading—eventually settling on a look from the 1970s—and spent hundreds of hours in university libraries researching quotes.


“Here’s one of my favorites,” Chase told the crowded room yesterday: “‘Thank God I had Winnie, Pap and the folks at home to keep me humble.’—after winning the 1960 Masters.”


“That’s the kind of person he is,” Chase said, seemingly in his element of working a crowd with eloquent speech and deferring praise from autograph seekers. On campus he espouses integrity, kindness and is known for his encouragement to nervous first-time public speakers in his speech classes.


“Marries Winnie Walzer,” read the first words Chase wrote on the portrait. They refer to Palmer’s wife of 45 years, who died in 1999.


“He is a devoted family man, and he loved his wife so dearly,” Chase said. With similar devotion to his own wife, Chase dedicated the portrait to his wife Barbara.


The last word on the portrait, “adios,” has a triple entendre, Chase said. “Adios” is the name of one of Palmer’s more than 200 golf courses—the portrait’s signature is comprised of those “signature” courses. Chase said “adios” is also Spanish for saying “goodbye” or “tally-ho” to the portrait. Also in Spanish, the words “a” and “Dios” mean “to God.”


“This is a ‘thank You’ to God for everything and that we can celebrate the life of a man such as Arnold Palmer,” he said.